“A quietly magnificent debut.”
– Angelica Jade Bastién, Vulture
“Frames the disappearance of Miami’s Little Haiti with a warm, compassionate gaze recalling the masters of social realism – akin to Roberto Rossellini with the touch of Ousmane Sembène’s lighter films.”
— John Fink, The Film Stage
“Sorelle’s film isn’t necessarily a premature elegy for Little Haiti; it is a quietly moving proclamation of presence.”
— Lovia Gyarkye, The Hollywood Reporter